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<title>StumbleUpon | wixter's blog posts</title>
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<description>wixter's recent blog posts on StumbleUpon</description>
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<pubDate>Sun, 08 Nov 2009 18:13:31 -0800</pubDate>
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	<title>StumbleUpon | wixter's blog posts</title>
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	<pubDate>Fri, 06 Nov 2009 17:28:05 -0800</pubDate>
	<title><![CDATA[http://wixter.stumbleupon.com/review/37465553/]]></title>
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		<p><font size="5" face="Verdana"><b>The Indigo Bunting</b><br />
<br />
I go to the door often.<br />
Night and summer. Crickets<br />
lift their cries.<br />
I know you are out.<br />
You are driving<br />
late through the summer night.<br />
<br />
I do not know what will happen.<br />
I have no claim on you.<br />
I am one star<br />
you have as guide; others<br />
love you, the night<br />
so dark over the Azores.<br />
<br />
You have been working outdoors,<br />
gone all week. I feel you<br />
in this lamp lit<br />
so late. As I reach for it<br />
I feel myself<br />
driving through the night.<br />
<br />
I love a firmness in you<br />
that disdains the trivial<br />
and regains the difficult.<br />
You become part then<br />
of the firmness of night,<br />
the granite holding up walls.<br />
<br />
There were women in Egypt who<br />
supported with their firmness the stars<br />
as they revolved,<br />
hardly aware<br />
of the passage from night<br />
to day and back to night.<br />
<br />
I love you where you go<br />
through the night, not swerving,<br />
clear as the indigo<br />
bunting in her flight,<br />
passing over two<br />
thousand miles of ocean.<br />
<br />
<b>Robert Bly</b></font></p>
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<item>
	<pubDate>Fri, 06 Nov 2009 06:54:10 -0800</pubDate>
	<title><![CDATA[http://wixter.stumbleupon.com/review/37452475/]]></title>
	<link>http://wixter.stumbleupon.com/review/37452475/</link>
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	<description><![CDATA[
		<p><font style="font-weight: bold;" size="5"><font style="font-family: Verdana;">Adam's Complaint</font></font><br /><br /><font size="5"></font><font size="5"><font style="font-family: Garamond;" lang="EN">Some people,<br />no matter what you give them,<br />still want the moon.</font></font><br /><br /><font size="5">The bread, the salt,<br />white meat and dark,<br />still hungry.</font><br /><br /><font size="5"><font style="font-family: Garamond;" lang="EN">The marriage bed<br />and the cradle,<br />still empty arms.</font></font><br /><br /><font size="5">You give them land,<br />their own earth under their feet,<br />still they take to the roads.</font><br /><br /><font size="5"><font style="font-family: Garamond;" lang="EN">And water: dig them the deepest well,<br />still it's not deep enough<br />to drink the moon from.<br /><br style="font-weight: bold;" /></font></font><font size="5"><font style="font-weight: bold;">Denise Levertov</font><br /><font style="font-family: Garamond;" lang="EN"></font></font><br /><br /><font size="5"><b><br /></b></font></p>
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<item>
	<pubDate>Thu, 05 Nov 2009 14:51:41 -0800</pubDate>
	<title><![CDATA[http://wixter.stumbleupon.com/review/37435189/]]></title>
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		<p><font style="font-family: Verdana;" size="5"><font style="font-weight: bold;">Envy of Other People's Poems</font><br /><br />In one version of the legend the sirens couldn't sing.<br />It was only a sailor's story that they could.<br />So Odysseus, lashed to the mast, was harrowed<br />By a music that he didn't hear -- plungings of the sea,<br />Wind-sheer, the off-shore hunger of the birds --<br />And the mute women gathering kelp for garden mulch,<br />Seeing him strain against the cordage, seeing<br />the awful longing in his eyes, are changed forever<br />On their rocky waste of island by their imagination<br />Of his imagination of the song they didn't sing.<br /><br />Robert Hass<br /></font></p>
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	<pubDate>Tue, 03 Nov 2009 14:15:50 -0800</pubDate>
	<title><![CDATA[http://wixter.stumbleupon.com/review/37376885/]]></title>
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		<p><font size="5" face="Verdana"><b>The Blue Booby</b><br />
<br />
The blue booby lives<br />
on the bare rocks<br />
of Galapagos<br />
and fears nothing.<br />
It is a simple life:<br />
they live on fish,<br />
and there are few predators.<br />
Also, the males do not<br />
make fools of themselves<br />
chasing after the young<br />
ladies. Rather,<br />
they gather the blue<br />
objects of the world<br />
and construct from them<br />
<br />
a nest&mdash;an occasional<br />
Gaulois package,<br />
a string of beads,<br />
a piece of cloth from<br />
a sailor&rsquo;s suit. This<br />
replaces the need for<br />
dazzling plumage;<br />
in fact, in the past<br />
fifty million years<br />
the male has grown<br />
considerably duller,<br />
nor can he sing well.<br />
The female, though,<br />
<br />
asks little of him&mdash;<br />
the blue satisfies her<br />
completely, has<br />
a magical effect<br />
on her. When she returns<br />
from her day of<br />
gossip and shopping,<br />
she sees he has found her<br />
a new shred of blue foil:<br />
for this she rewards him<br />
with her dark body,<br />
the stars turn slowly<br />
in the blue foil beside them<br />
like the eyes of a mild savior.<br />
<br />
<b>James Tate</b></font></p>
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	<pubDate>Fri, 30 Oct 2009 21:04:36 -0700</pubDate>
	<title><![CDATA[http://wixter.stumbleupon.com/review/37284729/]]></title>
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		<p><font size="5" face="Verdana"><b>Misery and Splendor</b><br />
<br />
Summoned by conscious recollection, she<br />
would be smiling, they might be in a kitchen talking,<br />
before or after dinner. But they are in this other room,<br />
the window has many small panes, and they are on a couch<br />
embracing. He holds her as tightly   <br />
as he can, she buries herself in his body.<br />
Morning, maybe it is evening, light<br />
is flowing through the room. Outside,<br />
the day is slowly succeeded by night,<br />
succeeded by day. The process wobbles wildly<br />
and accelerates: weeks, months, years. The light in the room<br />
does not change, so it is plain what is happening.<br />
They are trying to become one creature,<br />
and something will not have it. They are tender<br />
with each other, afraid<br />
their brief, sharp cries will reconcile them to the moment<br />
when they fall away again. So they rub against each other,<br />
their mouths dry, then wet, then dry.<br />
They feel themselves at the center of a powerful<br />
and baffled will. They feel<br />
they are an almost animal,<br />
washed up on the shore of a world&mdash;<br />
or huddled against the gate of a garden&mdash;<br />
to which they can&rsquo;t admit they can never be admitted.<br />
<b><br />
Robert Hass</b></font></p>
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<item>
	<pubDate>Tue, 27 Oct 2009 18:30:57 -0700</pubDate>
	<title><![CDATA[http://wixter.stumbleupon.com/review/37199059/]]></title>
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		<p><font size="5" face="Verdana"><b>i like my body when it is with your</b><br />
<br />
i like my body when it is with your<br />
body. It is so quite a new thing.<br />
Muscles better and nerves more.<br />
i like your body. i like what it does,<br />
i like its hows. i like to feel the spine<br />
of your body and its bones, and the trembling<br />
-firm-smooth ness and which i will<br />
again and again and again<br />
kiss, i like kissing this and that of you,<br />
i like, slowly stroking the, shocking fuzz<br />
of your electric fur, and what-is-it comes<br />
over parting flesh . . . . And eyes big love-crumbs,<br />
<br />
and possibly i like the thrill<br />
<br />
of under me you quite so new <br />
<b><br />
E. E. Cummings</b></font></p>
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<item>
	<pubDate>Mon, 26 Oct 2009 14:06:42 -0700</pubDate>
	<title><![CDATA[http://wixter.stumbleupon.com/review/37165655/]]></title>
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		<p><b><font size="5" face="Verdana">My name is William Tell</font></b><br />
<font size="5" face="Verdana"><br />
My name is William Tell</font><font size="5" face="Verdana">:<br />
when little oppressions touch me<br />
arrows hidden in my cloak<br />
whisper, "Ready, ready."<br />
<br />
<b>William Stafford</b></font></p>
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	<pubDate>Fri, 23 Oct 2009 11:43:45 -0700</pubDate>
	<title><![CDATA[http://wixter.stumbleupon.com/review/37085600/]]></title>
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		<p><font size="5" face="Verdana"><b>Publication Date</b><br />
<br />
One of the few pleasures of writing<br />
is the thought of one&rsquo;s book in the hands of a kind-hearted<br />
intelligent person somewhere. I can&rsquo;t remember what the<br />
others are right now.<br />
I just noticed that it is my own private<br />
<br />
National I Hate Myself and Want to Die Day<br />
(which means the next day I will love my life<br />
and want to live forever). The forecast calls<br />
for a cold night in Boston all morning<br />
<br />
and all afternoon. They say<br />
tomorrow will be just like today,<br />
only different. I&rsquo;m in the cemetery now<br />
at the edge of town, how did I get here?<br />
<br />
A sparrow limps past on its little bone crutch saying<br />
I am Frederico Garcia Lorca<br />
risen from the dead&ndash;<br />
literature will lose, sunlight will win, don&rsquo;t worry.<br />
<br />
<b>Franz Wright</b><br />
</font></p>
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	<pubDate>Thu, 22 Oct 2009 14:20:45 -0700</pubDate>
	<title><![CDATA[http://wixter.stumbleupon.com/review/37066897/]]></title>
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		<p><font size="5" face="Verdana"><b>Mathematics</b><br />
<br />
I have envied those<br />
who make something<br />
useful, sturdy--<br />
a chair, a pair of boots.<br />
<br />
Even a soup,<br />
rich with potatoes and cream.<br />
<br />
Or those who fix, perhaps,<br />
a leaking window:<br />
strip out the old cracked putty,<br />
lay down cleanly the line of the new.<br />
<br />
You could learn,<br />
the mirror tells me, late at night,<br />
but lacks conviction.<br />
One reflected eyebrow quivers a little.<br />
<br />
I look at this<br />
borrowed apartment--<br />
everywhere I question it,<br />
the wallpaper's pattern matches.<br />
<br />
Yesterday a woman<br />
showed me<br />
a building shaped<br />
like the overturned hull of a ship,<br />
<br />
its roof trusses, under the plaster,<br />
lashed with soaked rawhide,<br />
the columns' marble<br />
painted to seem like wood.<br />
Though possibly it was the other way around?<br />
<br />
I look at my unhandy hand,<br />
innocent,<br />
shaped as the hands of others are shaped.<br />
Even the pen it holds is a mystery, really.<br />
<br />
Rawhide, it writes,<br />
and chair, and marble.<br />
Eyebrow.<br />
<br />
Later the woman asked me--<br />
I recognized her then,<br />
my sister, my own young self--<br />
<br />
Does a poem enlarge the world,<br />
or only our idea of the world?<br />
<br />
How do you take one from the other,<br />
I lied, or did not lie,<br />
in answer.<br />
<b><br />
Jane Hirshfield</b></font></p>
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	<pubDate>Thu, 22 Oct 2009 10:39:16 -0700</pubDate>
	<title><![CDATA[http://wixter.stumbleupon.com/review/37061616/]]></title>
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		<p><font size="5" face="Verdana"><b>Sanctuary</b><br />
<br />
My land is bare of chattering folk;<br />
The clouds are low along the ridges,<br />
And sweet's the air with curly smoke<br />
From all my burning bridges.<br />
<b><br />
Dorothy Parker</b> </font></p>
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