StumbleUpon | bollonet's blog posts

http://bollonet.stumbleupon.com/review/36591424/

Sun, 04 Oct 2009 07:01:16 -0700

We like StumbleUpon so much that we have decided to put together this resource list of everything you need to know about it. Happy stumbling!

�

Stumbling Basics

Here are a few resources to get started with StumbleUpon.

StumbleUpon Help Forum
StumbleUpon’s official help forum.

Beginner’s Guide to StumbleUpon
A basic introduction to Stumble Upon.

How To Stumble
A domain dedicated entirely to the art of Stumbling.

Stumblers.net
An Unofficial Guide to Stumble Upon.

StumbleUpon for computer Dummies
As the title suggests, this one is for the less technical out there.

�

http://bollonet.stumbleupon.com/review/31568731/

Tue, 31 Mar 2009 06:53:21 -0700

ja!

http://bollonet.stumbleupon.com/review/28350979/

Fri, 12 Dec 2008 09:14:57 -0800

link
"Whilst the changes for the reproduction of the species are proceeding in the uterus, Nature is not unmindful or regardless of the wants of the offspring so soon as it shall be born; but in all the class Mammalia she has provided glands to supply bountifully, by the secretion of milk, that nourishment which the young animal will require soon after it begins to breathe.

The Breasts, or Mammae, are formed for this purpose; and soon after the commencement of utero-gestation, they begin to receive an additional supply of blood to prepare for the new secretion; and thus, by an admirable foresight, when the link which united the offspring to the mother is broken, a new and entirely different mode of nutrition is substituted for that which it had previously received."

"Mammary ducts injected with red, yellow, black, green and brown wax." (detail)

'Ducts and Glandules'

Regarding the figure on the right:
"Ducts injected more minutely with yellow, red, green, blue and black [wax]. This preparation shows two additional circumstances: -First, the glandules from which the ducts begin are seen filled with wax. Secondly, at the lower part of the preparation the separate ducts are seen passing above and beneath each other, to render the breast a cushion; whilst at the upper part the ducts are single."

'The Nipple in its Changes'

These figures represent subjects aged from two through to old age. The examples in the first row are from pre-pubescent girls. Various influences - pregnancy, lactation, multiple or no offspring and menopause - are said to affect the appearance of the remaining figures. A few of these nipple drawings were derived from cadavers. It all seems fairly random, although obviously meant - from the accompanying notes - as a general guide to physiological and appearance changes. [this plate in particular has been extensively background cleaned]

'Ligamenta Suspensoria and Sections'

Seen most specifically in the middle figure, ligamenta suspensoria (aka Cooper's ligaments*, after the author of this book) is a network of fibrous connective tissue throughout the breast. It provides structural support for all the anatomical components and is responsible for giving the breast its characteristic shape.

'Ducts, Glandules and Cells'

The top figure shows wax-injected milk ducts leading from small secretory glandules to the nipple. The bottom figure is a magnified version of one of those tracts and the middle drawings show the glandules at higher magnification again.

http://bollonet.stumbleupon.com/review/24608877/

Thu, 21 Aug 2008 11:21:23 -0700

Hej p� er!!!!!!!!!!!!!!!!!!!1

http://bollonet.stumbleupon.com/review/23742573/

Fri, 25 Jul 2008 04:52:20 -0700

Beskuren Detaljbild av en tavla som h�nger p� medeltidsslottet Torpa Stenhus i v�sterg�tland.

Jag gillar m�lningar fr�n medeltiden, ibland �r de vackra och konstiga, ibland �r de lustiga, ibland �r de ot�cka p� ett groteskt vis och ofta �r uttrycket n�stan lite naivistiskt.

http://bollonet.stumbleupon.com/review/23742417/

Fri, 25 Jul 2008 04:43:20 -0700

New York k�nns alltid s� coolt �ven portr�tterat i schaskiga vardaglig kl�der!

Bilderna kommer fr�n fotografen Daniel Weiss http://www.danielericweiss.com)

Han tar m�nga s�na d�r "autentiska" svartvita bilder fr�n "gatan" d�r han m�ter "udda" m�nniskor med sin 4000$
laica-kamera denna Daniel , men det �r ofta fina bilder �ven om m�nga av dem �r s� drivet "coola", svarta uteliggare �r speciellt intressanta tycker daniel, men som sagt finns det en del fina bilder trots alla klyschiga udda-gubben-bilder eller "m�ten-mellan-m�nniskor" - bilder,

http://bollonet.stumbleupon.com/review/23588276/

Sun, 20 Jul 2008 10:51:04 -0700

Franz Schubert = Ultra-Hunken!

http://bollonet.stumbleupon.com/review/23415299/

Mon, 14 Jul 2008 20:34:45 -0700

N�r jag inte g�r n�got annat zoomar jag in mig sj�lv och k�nner tillfredst�llelse.

My Blog via kwout

http://bollonet.stumbleupon.com/review/23053194/

Thu, 03 Jul 2008 02:53:53 -0700

AMNH 19th Century Exhibition Preparation

(fr�n curiosexpedition)

From Morbid Anatomy: The website features photographs spanning from the late 19th- to the late 20th-Century that pertain to exhibition and education history at the museum; all of the images exhibited reside in the vast pictorial archive of the American Museum of Natural History’s research library.

Taxidermist Constructing a Moa Foundation

Taxidermist Closing Skin Over the Tow Body for Mounting Bird

http://bollonet.stumbleupon.com/review/22972493/

Mon, 30 Jun 2008 14:08:10 -0700

Anton�Stankowski

Anton Stankowski was born on 18 June 1906 in Gelsenkirchen, Germany. His most important teacher was Max Burchartz at the Folkwangschule in Essen, where — after completing an apprenticeship and his journeyman years as a decorative painter — he studied for three semesters, starting in 1926. After a short stint free-lancing for the Canis Advertising Agency in Bochum, the 23-year-old Stankowski was invited toward the end of 1929 to work at Max Dalang’s famous advertising studio in Zurich. This marked the beginning of an important time: Stankowski’s photographic and typographical work developed into a prototype for a contemporary advertising style, later called “constructive graphics.” Stankowski quickly made friends with people who later became known as the “Zuricher Konkreten,” Richard P. Lohse, Verena Loewensberg, Max Bill, and others. In 1934 Stankowski lost his work permit and he moved to L�rrach, Switzerland, before finally returning to Germany in 1938. In 1939 Stankowski founded his Grafische Atelier in Stuttgart. Shortly thereafter, he was drafted into the army and had to go to war. After the war, he connected with leading characters of the visual movement, such as Baumeister, Hugo H�ring, Kurt Leonhard, Mia Seeger, Egon Eiermann, Max Bense, and Walter Cantz. Thanks in part to Stankowski’s work, Stuttgart became a Mecca for graphic design in the 1950s.